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Mies van der Rohe and James Stirling: Circling the Square

机译:密斯·凡·德·罗(Mies van der Rohe)和詹姆斯·斯特林(James Stirling):在广场上盘旋

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摘要

Two different approaches to building in the City of London by Ludwig Mies van der Rohe and James Stirling, Michael Wilford & Associates were presented in Circling the Square, an exhibition at the Royal Institute of British Architects of drawings, collages, models, and documents associated with two highly contrasting projects for the same site. The exhibition began its narrative in the late 1950s, when the property developer Peter Palumbo began to consider developing a pair of triangular sites adjacent to the Bank of England and Mansion House. Neither of the sites was empty. Both featured impressive examples of High Victorian commercial architecture, products of the economic boom of 1868-73. Following a visit to Chicago in July 1962, Palumbo commissioned Mies to design an office building. As the exhibition demonstrated, Mies worked through options in plan and models to test the proportions of both the facade and the building as a whole. A single 272-foot tower was proposed, with all of the existing Victorian buildings to be demolished. Located on the west side of the site, the tower would face a large public square to the east, which would allow each of the surrounding buildings' facades to be read as prominent set pieces. Like the Seagram Building, the tower would feature a facade formed from a curtain wall system with extruded bronze I-mullions. The project was to be built in two stages: first the construction of the tower, with the construction of the square to follow on the expiration of various leases. But full planning permission was granted only on the condition that tower and square were to be constructed in a single phase, which required Palumbo to acquire the rest of the properties. Before this could happen, Mies died in August 1969.
机译:路德维希·米斯·范·德·罗(Ludwig Mies van der Rohe)和詹姆斯·斯特林(James Stirling)的迈克尔·威尔福德事务所(Michael Wilford&Associates)在伦敦金融城的建筑中采用了两种不同的建造方法在同一个网站上有两个截然不同的项目。展览的叙述开始于1950年代后期,当时房地产开发商Peter Palumbo开始考虑在英格兰银行和大厦附近建立一对三角形的场地。这两个网站都不是空的。两者都以维多利亚时代的高级商业建筑令人印象深刻,这些建筑是1868-73年经济繁荣的产物。在1962年7月访问芝加哥之后,帕伦博委托密斯设计了一座办公楼。正如展览所展示的那样,密斯仔细研究了平面图和模型中的选项,以测试立面和建筑物整体的比例。提出了一个单脚272英尺的塔楼,所有现有的维多利亚式建筑都将被拆除。该塔位于场地的西侧,面向东方的一个大型公共广场,该广场将使周围建筑物的每一个外立面都被看做是突出的镶块。像Seagram大楼一样,该塔的外立面是由幕墙系统和挤压的青铜I型竖框构成的。该项目将分两个阶段进行建设:首先是塔的建设,广场的建设将随着各种租约的到期而进行。但是,只有在塔楼和广场必须在一个阶段内建造的情况下,才能获得全面的规划许可,这需要Palumbo收购其余的物业。在此之前,密斯(Mies)于1969年8月去世。

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  • 来源
    《JSAH》 |2017年第4期|576-577|共2页
  • 作者

    M. J. WELLS;

  • 作者单位

    Victoria and Albert Museum/Royal College of Art;

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  • 原文格式 PDF
  • 正文语种 eng
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