The affinity with the North American Indian in Czech literary discourse on the democratic roots of Czech national culture

Michal Peprnk

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The affinity with the North American Indian in Czech literary discourse on the democratic roots of Czech national culture

机译：捷克文学话语中关于北美民族印第安人与捷克民族文化民主根源的亲和力

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This paper surveys the Czech cultural appropriation of the North American Indian in a historical perspective, through the three radical changes of the political paradigm: the first Czechoslovak democratic republic (1918-1938), the communist era (1948-1989), and the post-Velvet Revolution present. Although the American Indian was appropriated as a symbolic structure with surprisingly different functions in various social and political contexts, in most cases it figured in the democratic discourse.

机译：本文通过政治范式的三大变化，从历史的角度考察了捷克对北美印第安人的文化侵占：第一个捷克斯洛伐克民主共和国（1918-1938），共产主义时代（1948-1989）和后-丝绒革命。尽管美洲印第安人被认为是一种象征性的结构，在各种社会和政治环境中具有令人惊讶的不同功能，但在大多数情况下，它是在民主话语中体现出来的。

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《Journal of Transatlantic Studies》 |2008年第2期|148-157|共10页
作者
Michal Peprnk;
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Katedra anglistiky a amerikanistiky, Univerzita Palack, Olomouci, Czech Republic;

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正文语种 eng
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North American Indian; democratic discourse; appropriation; Czech tramping movement; Czech pulp; Karl May; James Fenimore Cooper; German movie Indians; rock music; weekend Indians;

机译：北美印第安人;民主话语拨款;捷克流浪运动;捷克纸浆;卡尔·梅;詹姆斯·费尼莫尔·库珀;德国电影印第安人;摇滚音乐;周末印第安人;
入库时间 2022-08-17 13:11:17

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The affinity with the North American Indian in Czech literary discourse on the democratic roots of Czech national culture

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