首页> 外文期刊>Journal of Thermal Analysis and Calorimetry >Aging of the paint palette of Valerio Castello (1624–1659) in different paintings of the same age (1650–1655)
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Aging of the paint palette of Valerio Castello (1624–1659) in different paintings of the same age (1650–1655)

机译:瓦雷里奥·卡斯特罗(Valerio Castello)(1624–1659)在同一时期(1650–1655)的不同绘画中的绘画颜料的老化

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摘要

It is well known, from ancient Egypt, that some pigments and colourants can change with time for light effect or chemical attack. Cennino Cennini in the fifteenth century in his book “Il libro dell’arte o trattato della pittura” describes the use of many pigments and their degradation. He was aware of the problems and was able to suggest the answers in the use of pigments on several supports, but he could not understand the physical–chemical reason of the alteration processes. In this study, we point out the aging effects in seven paintings, practically of the same period (1650–1655). We considered in particular green, white and blue pigments of the palette of Valerio Castello. About 150 spots were selected on works painted on four different supports, canvas, wood panel, copper and slate. For each point, several determinations were carried on the pigments and decomposition products, aiming to determine the state of conservation of the paintings, the nature of the pigments, their alteration and if the support can affect the kinetics of degradation.
机译:众所周知,从古埃及开始,一些颜料和着色剂会随时间变化而产生光效应或化学侵蚀。塞尼诺·塞尼尼(Cennino Cennini)于15世纪在他的著作《 Il libro dell’arte o trattato della pittura》中描述了许多颜料的使用及其降解。他意识到了问题所在,并能够在几种支持物上使用颜料时给出了答案,但是他不了解改变过程的物理化学原因。在这项研究中,我们指出了实际上是同一时期(1650年至1655年)的七幅画的衰老效果。我们特别考虑了Valerio Castello调色板的绿色,白色和蓝色颜料。在涂在四种不同支撑物上的作品(画布,木板,铜和石板上)上选择了大约150个斑点。对于每一点,对颜料和分解产物进行了几次测定,目的是确定涂料的保存状态,颜料的性质,它们的变化以及载体是否会影响降解动力学。

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