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When digitization is not enough. A perspective from the museum field in the digital age

机译:数字化还不够。 从数字时代博物馆领域的一个观点

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The inclusion-exclusion of visitors in museum spaces since the introduction of digital devices has its correlation with the narratives that give origin to the Mexican museums, which are institutions with roots so deep that perceive the changes as a prosthetic element that is added to the already proven formula of making and understanding the (traditional) museum. In that sense, this text seeks to identify the narratives and the political, social, economic and communicative implications that the introduction of digital devices as interpretative tools in museum spaces has. The results obtained from a job carried out at the International Baroque Museum in the summer of 2019, in which a series of interviews were applied to the visitors and museum staff, as well as participating in observation exercises which will serve as a reference to illustrate the statement that museums are institutions that try to maintain the traditional relationship between visitors and museums despite the introduction of digital devices, reinforcing the exclusion by maintaining the forms of expression inherited by the colonial past of the museum.
机译:博物馆在博物馆空间中纳入游客,自介绍数字设备以与墨西哥博物馆的叙述相关的相关性,这些博物馆是具有如此深层的根源的机构,以认为将变化作为已经添加到已经添加的假肢元素成熟的制作配方和理解(传统)博物馆。从这种意义上讲,本文旨在识别叙述和政治,社会,经济和交流影响,即在博物馆空间中引入数字设备作为解释工具。从2019年夏天在国际巴洛克博物馆开展的工作中获得的结果,其中一系列采访将对游客和博物馆的工作人员应用,以及参与将作为参考说明的观察练习声明博物馆是虽然推出数字设备,但博物馆是试图维护游客和博物馆之间传统关系的机构,通过维护博物馆的殖民地过去继承的表达形式,加强了排斥。

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