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Writing to the General, and Other Aesthetic Strategies of Critique: The Art of León Ferrari as a Practice of Freedom

机译:写给一般人士和其他批评的审美策略:作为自由实践的莱昂·法拉利艺术

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This article considers the long career of Argentine artist León Ferrari, from its beginnings to the midst of military dictatorship, through his political exile, to his return to a renewed democracy that nevertheless remains in need of critique. It approaches his oeuvre as the story of an artist's ‘practices of freedom’, in Michel Foucault's sense, a story that is an exploration of the different modes of critique, witnessing and critical contestation that one encounters in Ferrari's artworks. Foucault's thought frames this exploration insofar as it enables one to understand Ferrari's art as a series of experiments in critique executed in different periods and hence in different political configurations. Since this is the case, the artworks also enable one to reflect upon how one can conceive of art's ethical role, how it might be thought to insert and assert itself within the lines of power and subjectification.View full textDownload full textRelated var addthis_config = { ui_cobrand: "Taylor & Francis Online", services_compact: "citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,more", pubid: "ra-4dff56cd6bb1830b" }; Add to shortlist Link Permalink http://dx.doi.org/10.1080/13569325.2012.694809
机译:本文考虑了阿根廷艺术家莱昂·法拉利(LeónFerrari)的漫长职业生涯,从创立之初到军事独裁,一直到他的政治流放,再回到新的民主国家,仍然需要批评。从米歇尔·福柯的意义上讲,它是艺术家的“自由实践”故事的故事,这一故事是对法拉利在作品中遇到的各种批评,目击和批判性竞争方式的探索。福柯的思想构架了这一探索,因为它使人们能够理解法拉利的艺术,这是一系列在不同时期,因此在不同政治形态下进行的批判实验。既然是这种情况,艺术品还使人们能够反思一个人如何理解艺术的道德角色,如何被认为是在权力和主体性的范畴内插入和主张自己。查看全文下载全文相关的var addthis_config = { ui_cobrand:“ Taylor&Francis Online”,servicescompact:“ citeulike,netvibes,twitter,technorati,delicious,linkedin,facebook,stumbleupon,digg,google,更多”,发布:“ ra-4dff56cd6bb1830b”};添加到候选列表链接永久链接http://dx.doi.org/10.1080/13569325.2012.694809

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