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THE PLAIN STYLE IN THE SEVENTEENTH CENTURY: GENDER AND THE HISTORY OF SCIENTIFIC DISCOURSE

机译:二十世纪的纯朴风格:性别与科学界的历史

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This article analyzes the statements on plain style made by Royal Society writers and seventeenth-century women writers. Using scholarship in feminist rhetorical theory, the article concludes that Royal Society plain stylists constructed scientific discourse as a masculine form of discourse by purging elements that were associated with femininity, such as emotional appeals. The article also discusses how women writers, particularly Margaret Cavendish, embraced a plain style more out of concern for their audience than out of a desire to eliminate undesirable feminine attributes. The implications of this historical study for understanding of current practice are noted.
机译:本文分析了皇家学会作家和17世纪女性作家对朴素风格的陈述。利用女权主义修辞学中的学术知识,文章得出结论,英国皇家学会的平原设计师通过清除与女性化相关的元素(如情感诉求),将科学话语构造为男性话语形式。本文还讨论了女作家,尤其是玛格丽特·卡文迪许(Margaret Cavendish),如何接受朴素的风格,更多是出于对观众的关注,而不是出于消除不受欢迎的女性特质的渴望。指出了这项历史研究对理解当前实践的意义。

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