首页> 外文期刊>Journal of creative communications >'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore
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'I am Limpeh (your father)!' Parodying Hegemony, Anti-nostalgic Cultural Insurgency and the Visual Amplification of Lee Kuan Yew in Late Authoritarian Singapore

机译:“我是林佩(你的父亲)!”模仿模仿霸权,反怀旧文化叛乱和已故独裁者李光耀的视觉放大

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摘要

The soft-authoritarian and severe image of contemporary Singapore has often been associated with the imposing and paternalistic presence of Lee Kuan Yew who has overseen the city-state as prime minister and subsequently, senior statesman since 1959. Unlike the statues and street-names dedicated to other founding leaders in newly decolonized countries, Lee has consciously discouraged any public portraitures of himself in Singapore. However, as his presence fades with ailing health in the recent years, his images are beginning to surface in figurines, coffee table books and even street art. Over in the social and alternative media, there is an increasingly more irreverent use of the Hokkien/Minan term 'limpeh' or 'your father' as parodies of Lee's unyielding paternalism. As a masculinistic self-assertion of one's authority, 'limpeh' is often crudely associated with the Hokkien/Minan-speaking ethnic Singaporean Chinese working class. Singaporeans have also recognized the characteristics of 'limpeh' with the authoritarian legacy of Lee who had displayed little mercy in crushing his political rivals and pushing his social vision to society. In this respect, these popular communications can be seen as the cacophony of emerging voices of the city-state in a late authoritarian phase.
机译:李光耀的雄伟和家长式的存在常常与当代新加坡柔和的威权主义和家长式的存在有关。李光耀自1959年以来一直担任总理,随后是高级政治家,负责监督这座城市。与雕像和街道名称不同的是,对新非殖民化国家的其他创始领导人而言,李自觉不鼓励自己在新加坡公开露面。然而,随着近几年他身体状况的恶化和健康状况的恶化,他的形象开始在小雕像,咖啡桌书甚至街头艺术品中浮出水面。在社交媒体和替代媒体上,越来越多的人将福建语/闽南语中的“ limpeh”或“您的父亲”用做李光耀不屈不挠的家长制的模仿。作为一种权威的阳刚之气,“ limpeh”通常与讲福建语/闽南语的新加坡华裔工人阶级有着粗略的联系。新加坡人也已经意识到李的独裁统治所带来的“ limpeh”的特征,他在镇压他的政治对手并将其社会视野推向社会时毫不留情。在这方面,这些流行的交流可以看作是独裁后期后期城市国家新兴声音的响声。

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