>The aim of this article is to explore urban knitting as a worldwide social movement, rather than s'/> Knitting Feminist Politics: Exploring a Yarn-Bombing Performance in a Postdisaster City
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Knitting Feminist Politics: Exploring a Yarn-Bombing Performance in a Postdisaster City

机译:编织女权政治:探索灾后城市的炸弹表演

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>The aim of this article is to explore urban knitting as a worldwide social movement, rather than solely a kind of “inoffensive urban graffiti” made with knitted fabric. Building on the available literature and original research, the article argues that this movement weaves together elements from craftivism, domesticity, handicraft, art, and feminism. It then explores a specific urban knitting initiative, called “Mettiamoci una pezza” (“Let’s patch it”), carried out in L’Aquila, Italy, 3 years after the earthquake that devastated the city in 2009. To analyze the sociopolitical aspects of this initiative, a series of qualitative research studies was conducted over time, to which were added semistructured interviews with the initiative’s local organizers. The findings show that the initiative in L’Aquila clearly exhibits the five original features of the urban knitting movement that emerge from the literature as being characteristic of this movement.
机译: >此目标本文旨在探讨将城市编织作为一种全球性的社会运动,而不仅仅是一种用编织物制成的“廉价的城市涂鸦”。在现有文献和原始研究的基础上,文章认为,这一运动将手工艺,家庭生活,手工艺,艺术和女权主义等要素编织在一起。然后,它探讨了一项特定的城市编织计划,称为“ Mettiamoci una pezza”(“让我们修补一下”),该计划是在2009年地震摧毁了该市3年之后的意大利拉奎拉市进行的。该计划随着时间的流逝进行了一系列定性研究,并在该计划的本地组织者中进行了半结构化访谈。调查结果表明,拉奎拉(L'Aquila)的倡议清楚地展现了城市编织运动的五个原始特征,这些特征从文献中被视为该运动的特征。

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