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Acoustic evaluation of the cathedral of Seville as a concert hall and proposals for improving the acoustic quality perceived by listeners

机译:塞维利亚大教堂音乐厅的声学评估,以及改善听众感知的声学质量的建议

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The acoustic evaluation of the cathedral of Seville as a concert hall is carried out through the simulation of acoustic models derived from the modification of the model of the current state and calibrated using the results of in situ measurement. These models reproduce the configurations adopted for major music concerts held there regularly. The results obtained led to the proposal of a new layout plan for an audience of 1500 people and other corrective measures in keeping with the history of the cathedral and compatible with its heritage value, improving subjectively perceived sound. This is assessed in terms of subjective reverberation, evaluated through early decay time, the perceived sound level and the uniformity of the sound field (measured with sound strength parameter), perceived clarity (assessed through clarity and central time parameters), and the spatial sensation (assessed through early lateral energy fraction).
机译:塞维利亚大教堂作为音乐厅的声学评估是通过模拟声学模型进行的,该声学模型源自对当前状态模型的修改,并使用现场测量结果进行了校准。这些模型重现了定期举行的大型音乐演唱会所采用的配置。获得的结果导致了针对1500人的观众的新布局计划以及其他与大教堂的历史保持一致并与其遗产价值相适应的纠正措施的提议,从而改善了主观感知的声音。这是通过主观混响来评估的,通过早期衰减时间,感知的声级和声场的均匀性(通过声强参数测量),感知的清晰度(通过清晰度和中心时间参数评估)和空间感觉来评估(通过早期的横向能量分数进行评估)。

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