首页> 外文期刊>The journal of architecture >Critique of Everyday Life Volume 1 Critique of Everyday Life Volume 2: Foundations for a Sociology of the Everyday Critique of Everyday Life Volume 3: From Modernity to Modernism All the publications identified above are also now available in a single volume: Critique of Everyday Life: The One-Volume Edition
【24h】

Critique of Everyday Life Volume 1 Critique of Everyday Life Volume 2: Foundations for a Sociology of the Everyday Critique of Everyday Life Volume 3: From Modernity to Modernism All the publications identified above are also now available in a single volume: Critique of Everyday Life: The One-Volume Edition

机译:日常生活批判第1卷:日常生活批判第2卷:日常生活社会学的基础日常生活批判第3卷:从现代性到现代主义上面列出的所有出版物现在也都可以在同一卷中找到:日常生活批判:单卷版

获取原文
获取原文并翻译 | 示例
       

摘要

'To penetrate ever more deeply into the content of life, to seize it in its shifting reality, to be ever more lucid about the lessons it has to teach us - this is the essential precept of research.' [1991 (a), p. 182]. Henri Lefebvre writes this revealing phrase in the first volume of Critique of Everyday Life. He was then in his mid-40s, and in the midst of what was perhaps the most productive period of his perennially productive life. The date of its publication places it in the breathless and hopeful pause after the Liberation and before the pall of the Cold War was to descend upon Europe. This accounts for, or perhaps merely justifies, the powerful Utopian tone of this work, which Michael Gardiner refers to as his 'Marxian Prometheanism'[2000, p. 90], although it must be said that this tone permeates much of his early work. Lefebvre's approach to research was all-consuming, and indeed it could not have been otherwise given his focus upon the construction of everyday life - he was continually and joyously suspended in his subject, in the concrete spaces and complex interactions of the countryside and the city. In this, his work resonated with that of Friedrich Nietzsche, who was a great influence on Lefebvre, and who informed and affirmed his willingness to allow his work to be suffused with poetic and mythic vision as well as careful analysis.
机译:“越来越深入地渗透到生活的内容中,抓住它在不断变化的现实中,对它所教给我们的教训越来越清楚-这是研究的基本准则。” 〔1991(a),p。 182]。亨利·勒费弗尔(Henri Lefebvre)在《日常批判》的第一卷中写下了这个具有启发性的短语。那时他正处于40多岁中期,也可能是他常年生产生活中最高产的时期。它的出版日期使它处于解放后,冷战即将降临欧洲之前的喘息而充满希望的停顿期。这解释了这项工作的强大的乌托邦语气,或者仅仅证明了这一点,迈克尔·加德纳将其称为“马克思主义的普罗米修斯主义” [2000,p。 90],尽管必须说这种语气贯穿了他的许多早期作品。勒费弗尔的研究方法是费力的,实际上,如果没有其他方法,他就不能专注于日常生活的构建-他不断地,欢乐地悬浮在他的主题,乡村和城市的具体空间以及复杂的互动中。在这一点上,他的作品引起了弗里德里希·尼采的共鸣,后者对列斐伏尔产生了深远的影响,并告知并肯定了他的意愿,使他的作品充满诗意和神话般的视野以及仔细的分析。

著录项

  • 来源
    《The journal of architecture》 |2015年第3期|566-573|共8页
  • 作者

    Tim Waterman;

  • 作者单位

    Writtle School of Design Writtle College Chelmsford Essex United Kingdom;

  • 收录信息
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

  • 入库时间 2022-08-18 00:24:38

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号