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How Rhetoric Theory Informs the Creative Advertising Development Process: Reconciling Differences Between Advertising Scholarship and Practice

机译:修辞学理论如何指导创意广告的发展过程:调和广告学与实践之间的差异

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摘要

Advertising scholars have been hesitant to identify creativity as the heart and soul of advertising, and that has produced a chasm between themselves and practitioners. One cause of this division is an erroneous perception that advertising is a subset of consumer psychology. To solve this misidentification, the current authors offer rhetoric theory. Although many advertising academics believe that advertising theory is a discovery of 20th-century scholars, the striking resemblances between canons of rhetoric ("invention," "style," "arrangement," "memory," and "delivery") and stages of the advertising-development process ("message strategy," "idea generation," "execution," "media," and "production") clearly define advertising as a rediscovery of rhetoric.
机译:广告学者一直不愿意将创意视为广告的核心和灵魂,这在他们和从业者之间产生了鸿沟。造成这种分歧的一个原因是错误地认为广告是消费者心理的一部分。为了解决这种错误识别,当前的作者提供了修辞学理论。尽管许多广告学者认为广告理论是20世纪学者的发现,但是修辞学的经典(“发明”,“风格”,“安排”,“记忆”和“交付”)与各个阶段之间有着惊人的相似之处。广告开发过程(“消息策略”,“思想产生”,“执行”,“媒体”和“生产”)明确地将广告定义为一种重新发现的措辞。

著录项

  • 来源
    《Journal of advertising research》 |2018年第1期|111-128|共18页
  • 作者

    Tevi Alexander; Koslow Scott;

  • 作者单位

    Macquarie Univ, Sydney, NSW, Australia;

    Macquarie Univ, Sydney, NSW, Australia;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
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  • 入库时间 2022-08-17 23:05:57

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