本研究は、雪舟（1420-1506頃）の真筆とされている山水画を対象rnとし、そこに描かれる山水の空間構成の特徴を明らかにすることをrn目的としている。rn日明貿易等により中国から日本にもたらされた山水画は、室町期rnの禅林を中心にはぐくまれ、庭園、文学、建築、茶道や華道と深くrn結びつきながら日本独特の造形の原型をかたちづくることになる。%The aim of this paper is to clarify the spatial composition of landscape paintings drawn as hanging scroll by Sesshu. The elements that compose landscapes are divided into topographical, arboreal and artificial. The landscapes are analyzed by considering the arrangement of these elements transformed into the three-dimensional frame. In consequence, these can be divided into five types, and each spatial composition is illustrated with isometric projection: l)Curving by one side, 2)Curving by both sides, 3)Zigzag line, 4)Intermitting and Rising, and 5)Contrast of near and far. And the spatial relation of these types is cleared in view of the spatial vector.
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