'But we're only talking, maybe': language, desire, and the arrival of the present in Synge's Playboy of the Western World

摘要

This essay examines the relationship between language, desire, and reality found in J.M. Synge's The Playboy of the Western World. In this play, Synge suggests that language which is too infused with desire has the potential to outrace events, and will always fail to describe a reality that can actually form itself. With this, Synge is asserting that Revivalist myths are hopelessly out of step with Irish life and impede the formation of a sustainable political and cultural unit. Troublingly, however, Synge does not accurately gauge his own complicity in this process.