首页> 外文期刊>International journal of signs and semiotic systems >Food Semiology in Selected Poems in 'Lere Oladitan's 'Poem of the Week'
【24h】

Food Semiology in Selected Poems in 'Lere Oladitan's 'Poem of the Week'

机译:《雷·奥拉迪坦(Lere Oladitan)的《本周诗歌》》中某些诗歌的食物符号学

获取原文
获取原文并翻译 | 示例
       

摘要

Inspired by the popular view in the field of semiotics that everything is a sign of something or a sign for something, this article dwells on food significations in ‘Lere Oladitan's poem titled “Mounds for Sharing” in his poetry collection titled ‘Poem of the Week.' Using this poem as the paradigm to deconstruct some other poems in the collection, the article deconstructs this semiological practice (food symbolism) in four ways: first, as a sign deployed by the poet to contribute to the aesthetic and affective qualities of the poem; second, as an appropriation and exhibition of the values of giving and sharing which typify many (if not all) African cultures; third, as a semiotic strategy of self- depiction and fourth, as the strategy for developing the motif of sacrifice practically demonstrated by the poet in the manner in which the poems were first freely disseminated before they were compiled and published into a book form in 2016. Mounds for Sharing is used in this article as the paradigm of the other poems in the collection because there is ample evidence to show that the poem is the container of the general motifs developed in the other poems. First, the poet himself refers to it as “the signature tune” of the collection. Second, “Iyán tí mo gún, Baba má jẹ ǹ nìkan jẹ́” (the first two lines of the poem) is now Oladitan's sobriquet or designation in Obafemi Awolowo University community. The poet is now being referred to as Professor Iyán tí mo gún (Professor the Pounded Yam I Prepare) in the academic community. Third, in the inaugural lecture presented by the poet on August 23, 2011, the poem was given a theatrical performance by Awo Vasity Theatre, a theatre that is based in Obafemi Awolowo Universty Ile, Ife, Nigeria. The article indicates that food-related representations in the poem convey more than the general sense of food as the substance eaten for survival. The analysis, cast within the framework of food semiotics, shows that each poem of ‘Lere Oladitan is a kind of food which carries one or a combination of such connotations of food as: food for the thought, food for the social psyche and memory and food for personal spiritual and psychosocial growth.
机译:受到符号学领域流行观点的启发,本文认为一切都是事物的标志或事物的标志,本文以莱里·奥拉丹坦(Lere Oladitan)题为“本周诗集”的诗集“分享的土丘”中的食物含义为基础。 。”本文以这首诗为范例来解构该系列中的其他诗歌,本文以四种方式解构了这种符号学实践(食物象征主义):第一,作为诗人为提高诗歌的美学和情感品质做出贡献的标志。第二,作为对赠予和分享价值的一种挪用和展示,这种价值代表着许多(如果不是全部)非洲文化。第三,作为自我描写的符号学策略;第四,作为诗歌创作动机的策略,诗人在2016年将诗歌首次汇编并出版成书之前,首先对其进行了自由传播。共享的土墩在本文中用作其他诗歌集的范式,因为有充分的证据表明该诗歌是其他诗歌中发展的一般主题的容器。首先,诗人本人将其称为收藏的“标志性曲调”。其次,“Iyántímogún,诗的前两行”现在是奥拉迪坦在Obafemi Awolowo大学社区的缩写或称呼。该诗人现在在学术界被称为Iyántímogún教授(我准备的捣过的山药教授)。第三,在诗人2011年8月23日的就职演说中,这首诗由位于尼日利亚伊费州Obafemi Awolowo大学大剧院的剧院Awo Vasity剧院进行了戏剧表演。该文章指出,诗歌中与食物相关的表述所传达的意义远不止食物作为生存所要食用的物质的一般意义。在食物符号学的框架内进行的分析表明,“ Lere Oladitan”的每一首诗都是一种食物,带有一种或多种食物内涵,例如:思想食物,社会心理食物和记忆以及个人精神和社会心理成长的食物。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号