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Experiencing film: Subjective personal introspection and popular film consumption

机译:电影体验:主观的个人内省和大众电影消费

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摘要

How and why audiences consume films is a much-researched yet inconclusive area of film marketing. Film is an experiential product and qualitative research methods are a suitable way of gaining insight into how people choose between different film offerings and how they assess their film viewing experience. Before we can understand others' choices and experiences, we first must understand ourselves. We therefore begin our investigation by taking a snapshot of our experiences facilitated by Subjective Personal Introspection (SPI) to gain insight into how the lead author makes sense of his film consumption. The key findings complement and advance current debates in film and experiential consumption. Indeed, the theoretical contribution is two fold; the development of a film consumption experience model based on three-interrelated classification dimensions (film characteristics, viewing environment, situational environment), which collectively impacts the lead author's consumption behavior, and our expansion of Schmitt's (1999) SEMs model. (C) 2015 Elsevier B.V. All rights reserved.
机译:观众如何以及为何消费电影是电影行销领域中经过广泛研究但尚无定论的领域。电影是一种体验产品,而定性研究方法是了解人们如何在不同的电影产品之间进行选择以及如何评估其电影观看体验的合适方法。在我们了解他人的选择和经历之前,我们首先必须了解自己。因此,我们通过对主观个人自省(SPI)促进我们的经历进行快照来开始我们的调查,以深入了解主要作者如何看待他的电影消费。主要发现补充并推动了当前有关电影和体验消费的辩论。实际上,理论上的贡献是双重的。基于三个相互关联的分类维度(电影特征,观看环境,情景环境)的电影消费体验模型的开发,这共同影响了主要作者的消费行为,以及我们对Schmitt(1999)SEM模型的扩展。 (C)2015 Elsevier B.V.保留所有权利。

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