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New Media Art and a Contemporary Revision of the Term 'Cultural Industry' of Theodor Adorno

机译:新媒体艺术与西奥多·阿多诺(Theodor Adorno)术语“文化产业”的当代修订

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This article examines some of the ideas that Theodor Adorno elucidated around the term "cultural industry ", compiling mainly the ideas published in the text "Aesthetic Theory " of 1970. The term "cultural industry " is also contextualized in the article with the reflections that Adorno previously exposed since 1947. Concerning the relation between art and autonomy the ideas of Adorno offer elements to understand contemporary art production. A dialog is created with the proposal of the North American theoretician and artist Martha Rosier to understand the chronological development of art before, during, and after Adorno. To conclude, theauthor also discusses contemporary new media art manifestations, which are analyzed through autonomy/cultural industry in relation to the proposals of the Brazilian theoretician Arlindo Machado.
机译:本文考察了西奥多·阿多诺(Theodor Adorno)围绕“文化产业”一词阐明的一些思想,主要是汇编了1970年《美学理论》文本中发表的思想。本文中还对“文化产业”一词进行了语境化,并指出:阿多诺(Adorno)自1947年以来就曾涉足此领域。关于艺术与自治之间的关系,阿多诺的思想为理解当代艺术创作提供了要素。根据北美理论家和艺术家玛莎·罗西埃(Martha Rosier)的建议,创建了一个对话框,以了解艺术在阿多诺之前,之中和之后的年代发展。最后,作者还讨论了当代新媒体艺术表现形式,并通过自治/文化产业对巴西理论家阿林多·马查多的建议进行了分析。

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