Performance, Space, Time: The Production of Inferiority in Black Rock City

摘要

Temporary environments for revelry and celebration offer incredible opportunities for exploration, experimentation, and empowerment; the impermanent nature of experience is mesmerizing when we cherish the moments and wish they would last forever. Ephemeral spaces constitute an amazing laboratory for researching the social production of interiority. When researching temporary environments, there is hardly a better case for ephemerality and enchantment than the surreal phenomenon of Burning Man, an event that creates Black Rock City in the Nevada desert. Black Rock City provides a safe and supportive environment for experimenting with new kinds of social organization, new relationships, norms, and rules of behavior, as well as new forms of art and new spatialities. The goal of this project is to explore the production of space by this alternative culture that physically gathers for only one week each year. The objective is to highlight the social nature of the interiorization of space in this city constructed for celebration, where people experience, collaborate, and take pride in their work. At Black Rock City, the interiorization of space becomes a product of social inclusion, sharing, and personal transformation. This is a realm where the production of space is tantamount to the production of interiority. The Burner culture produces a continuous, free-flowing, and all-inclusive interiority in its accommodation and celebration of creativity, diversity, and spirituality.