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Necessity of origins and multi-origin art

机译:起源和多头艺术的必要性

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The Necessity of Origins is the thesis that, necessarily, if a material object wholly originates from some particular material, then it could not have wholly originated from any significantly non-overlapping material. Several philosophers have argued for this thesis using as a premise a principle that we call 'Single Origin Necessity'. However, we argue that Single Origin Necessity is false. So any arguments for The Necessity of Origins that rely on Single Origin Necessity are unsound. We also argue that the Necessity of Origins itself is false. Our arguments rely on a thesis in the ontology of art that we find plausible: Multi-Work Materialism. It is the thesis that works of art that have multiple concrete manifestations are co-located with those manifestations.
机译:起源的必要性是本论文,即,如果材料对象完全来自某种特定材料,那么它不能完全来自任何显着的非重叠材料。几个哲学家使用我们称之为“单一来源必需品”的原则,争论本文争论。但是,我们认为单一的源性是假的。因此,依赖于单一原产地必行的起源的必要性的任何论据都是不健全的。我们还认为起源本身的必要性是假的。我们的论点依赖于我们发现合理的艺术本体论的论文:多功能唯物主义。本论文是具有多个具体表现的艺术品的作品与这些表现相辅相起来。

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