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Alexander Hamilton as Immigrant: Musical Mythology Meets Federalist Reality

机译:亚历山大·汉密尔顿(Alexander Hamilton)作为移民:音乐神话与联邦主义者的现实相遇

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摘要

A Hamiltonian revival is currently under way in American politics, exhibiting both a resurgence of interest in the life of the first U.S. Treasury secretary and, to some degree, a renewed enthusiasm for his peculiar brand of economic nationalism. Celebratory biographical depictions have played no small role in this pattern, with Lin-Manuel Miranda's hit Broadway musical Hamilton serving as a prominent popularizer of Alexander Hamilton's life story. Miranda's depiction falls short of hagiography, displaying certain complexities of his notoriously quarrelsome yet politically industrious lead character. The musical is nonetheless an endorsement of its subject matter against his contemporaries and a contributing factor to Alexander Hamilton's ongoing rehabilitation.
机译:汉密尔顿式的复兴正在美国政治中进行,这既显示出对美国第一任财政部长的生活兴趣的复兴,又在某种程度上表现出对他独特的经济民族主义品牌的热情。庆祝传记的描写在这种模式中起着不小的作用,林·曼努埃尔·米兰达(Lin-Manuel Miranda)的热门百老汇音乐剧汉密尔顿(Hamilton)成为亚历山大·汉密尔顿(Alexander Hamilton)生活故事的著名推广者。米兰达(Miranda)的描写缺乏全息摄影技术,显示了他臭名昭著的吵架但在政治上勤奋的主角的某些复杂性。尽管如此,音乐剧还是其主题对他的同时代人的认可,并且是亚历山大·汉密尔顿不断康复的重要因素。

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