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Visualization of Cultural Heritage Collection Data: State of the Art and Future Challenges

机译:文化遗产收集数据的可视化:艺术状态和未来挑战

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After decades of digitization, large cultural heritage collections have emerged on the web, which contain massive stocks of content from galleries, libraries, archives, and museums. This increase in digital cultural heritage data promises new modes of analysis and increased levels of access for academic scholars and casual users alike. Going beyond the standard representations of searchcentric and grid-based interfaces, a multitude of approaches has recently started to enable visual access to cultural collections, and to explore them as complex and comprehensive information spaces by the means of interactive visualizations. In contrast to conventional web interfaces, we witness a widening spectrum of innovative visualization types specially designed for rich collections from the cultural heritage sector. This new class of information visualizations gives rise to a notable diversity of interaction and representation techniques while lending currency and urgency to a discussion about principles such as serendipity, generosity, and criticality in connection with visualization design. With this survey, we review information visualization approaches to digital cultural heritage collections and reflect on the state of the art in techniques and design choices. We contextualize our survey with humanist perspectives on the field and point out opportunities for future research.
机译:经过几十年的数字化,Web上出现了大型文化遗产集合,其中包含画廊,图书馆,档案馆和博物馆的大量内容。数字文化遗产数据增加了新的分析模式,增加了学术学者和休闲用户的进入水平。超出了基于SeeptCentric和基于网克的界面的标准表示,最近开始了众多方法来实现对文化收藏的视觉访问,并通过交互式可视化的方式探索它们作为复杂和全面的信息空间。与传统的Web界面相比,我们目睹了专门为文化遗产部门丰富的集合设计的创新可视化类型的扩展谱。这类新的信息可视化引起了一个显着的交互和表示技术的多样性,同时贷款和紧迫性地讨论了关于与可视化设计有关的诸如偶然,慷慨和关键性的原理。通过本调查,我们审查了信息可视化方法,以反映了技术和设计选择的最新技术。我们以人文主义观点在外地上阐述了我们的调查,并指出了未来研究的机会。

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