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Drawing on Air: Input Techniques for Controlled 3D Line Illustration

机译:空中绘画:受控3D线图的输入技术

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We present Drawing on Air, a haptic-aided input technique for drawing controlled 3D curves through space. Drawing on Air addresses a control problem with current 3D modeling approaches based on sweeping movement of the hands through the air. While artists praise the immediacy and intuitiveness of these systems, a lack of control makes it nearly impossible to create 3D form beyond quick design sketches or gesture drawings. Drawing on Air introduces two new strategies for more controlled 3D drawing: one-handed drag drawing and two-handed tape drawing. Both approaches have advantages for drawing certain types of curves.We describe a tangent preserving method for transitioning between the two techniques while drawing. Haptic-aided redrawing and line weight adjustment while drawing are also supported in both approaches. In a quantitative user study evaluation by illustrators, the one and two-handed techniques performed at roughly the same level, and both significantly outperformed freehand drawing and freehand drawing augmented with a haptic friction effect. We present the design and results of this experiment as well as user feedback from artists and 3D models created in a style of line illustration for challenging artistic and scientific subjects.
机译:我们介绍了“绘图上的空气”,这是一种用于在空间中绘制受控3D曲线的触觉辅助输入技术。依靠空中挥动双手,当前的3D建模方法可以通过“画在空中”解决控制问题。尽管美工称赞这些系统的即时性和直观性,但缺乏控制使其几乎无法创建除快速设计草图或手势图之外的3D形式。空中绘图引入了两种新的策略,可以更好地控制3D绘图:单手拖动绘图和双手胶带绘图。两种方法都具有绘制某些类型曲线的优点。我们描述了一种在绘制时在两种技术之间过渡的切线保留方法。两种方法都支持触觉辅助重绘和绘制时调整线宽。在插画家对用户进行的定量研究评估中,单手和双手技术的执行水平大致相同,并且两者的表现均明显优于徒手画和具有触觉摩擦效果的徒手画。我们介绍了该实验的设计和结果,以及来自艺术家和3D模型的用户反馈,这些用户和3D模型以线条插图的形式创建,用于挑战艺术和科学主题。

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