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Identification of geometrical shapes in paintings and its application to demonstrate the foundations of geometry in 1650 B.C

机译:绘画中的几何形状识别及其在证明公元前1650年几何学基础方面的应用

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摘要

In this paper, an original general methodology is introduced to establish whether a handmade shape corresponds to a given geometrical prototype. Using this methodology, one can decide if an artist had the intention of drawing a specific mathematical prototype or not. This analysis is applied to the 1650 B.C. wall paintings from the prehistoric settlement on Thera, and inferences of great archaeological and historical importance are made. In particular, strong evidence is obtained suggesting that the spirals depicted on the wall paintings correspond to linear (Archimedes) spirals, certain shapes correspond to canonical 48-gon and 32-gon, while other shapes correspond to parts of ellipses. It seems that the presented wall paintings constitute the earliest archaeological findings on which these geometrical patterns appear with such remarkable accuracy.
机译:在本文中,引入了一种原始的通用方法来确定手工形状是否对应于给定的几何原型。使用这种方法,可以决定艺术家是否打算绘制特定的数学原型。此分析适用于公元前1650年从史特拉(Thera)的史前定居点开始创作壁画,并做出具有重大考古和历史意义的推论。特别是,获得了有力的证据表明壁画上描绘的螺旋线对应于线性(阿基米德)螺旋线,某些形状对应于规范的48角和32角,而其他形状则对应于椭圆的一部分。似乎所提出的壁画构成了最早的考古发现,在这些考古发现中这些几何图案以如此显着的准确性出现。

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