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Veronica Simpson visits Oslo to witness a different kind of public art - an art designed to enable the witnesses and participants to play a vital and transformational role

机译:维罗妮卡·辛普森(Veronica Simpson)参观奥斯陆以见证另一种公共艺术-一种旨在使证人和参与者发挥重要和变革性作用的艺术

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FORGIVE ME if I talk about art and regeneration - again. Last month I was pondering in this column how the biannual programming of a fortnight of cool, arty films, photographs and pop-up museums in the Thames Estuary's remotest parts could make much difference to its culture, its economy or its overall appeal as a destination. This month, I'm still processing the fruits of a trip to Oslo to hear people talk about a very different kind of approach to a public art festival: one that could really permeate and leave a lasting impression on a place and a community; transforming ideas about who they are and what they are capable of.
机译:如果我再谈艺术和再生,请原谅我。上个月,我在本专栏文章中思考,如何在泰晤士河口最偏远的地方每两周进行两次酷炫的艺术电影,照片和弹出式博物馆的节目编排,对其文化,经济或作为目的地的整体吸引力产生很大的影响。这个月,我仍在处理前往奥斯陆旅行的成果,听到人们谈论一种与众不同的公共艺术节方式:这种方式可以真正渗透并给一个地方和一个社区留下持久的印象。转变关于他们是谁以及他们有能力的想法。

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    《FX》 |2017年第4期|61-62|共2页
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  • 入库时间 2022-08-18 00:42:59

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