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Vitra Design Museum: Better Nature exhibition

机译:维特拉设计博物馆:更好的自然展览

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Until 24 November 2019, the Vitra Design Museum, in Weil am Rhein, Germany, presents a solo exhibition from critical designer and artist Alexandra Daisy Ginsberg. As design discourse embraces ideas of biotechnology the museum saw the importance of displaying her work. With an interest in design's premise of 'making things better', Ginsberg casts a critical eye on the idea of for and by whom is this 'better' designed in synthetic biology. The emerging technoscience -the focus of her work and this exhibition - might be more simply put as the design of living things. Trained in architecture and interaction design, Ginsberg has been interested in synthetic biology since learning about it as a student in 2008, and in the intervening years has collaborated with synthetic biologists while encountering the many associated political, cultural, economic and technological implications of the field. The exhibition presents six projects developed in collaboration with experts from different fields between 2009 and 2015, to offer different narratives that might lie behind the design of 'Better Nature'. They include man-made companion species to support endangered animals and plants; an imagined future of genetically engineered plants capable of producing everyday consumer goods; and bacteria engineered to make biodegradable plastics and genetically modified bacteria that can diagnose disease when ingested.
机译:直到2019年11月24日,位于德国莱茵河畔魏尔的维特拉设计博物馆将举办由关键设计师和艺术家亚历山德拉·黛西·金斯伯格(Alexandra Daisy Ginsberg)举办的个展。当设计论述包含生物技术的思想时,博物馆看到了展示她的作品的重要性。金斯伯格(Ginsberg)对设计的“使事情变得更好”的前提感兴趣,因此对合成生物学中的“更好”的设计理念以及由谁来考虑持批评态度。新兴的技术科学-她的工作和这次展览的重点-可以更简单地作为生物设计。自从2008年成为学生以来,金斯伯格(Ginsberg)就接受过建筑和交互设计方面的培训,对合成生物学感兴趣。在随后的几年中,他与合成生物学家合作,同时遇到了该领域的许多相关政治,文化,经济和技术影响。该展览展示了六个项目,这些项目是在2009年至2015年期间与来自不同领域的专家合作开发的,旨在为“更好的自然”设计提供不同的叙述。其中包括人造伴侣物种,以支持濒临灭绝的动植物;能够生产日常消费品的转基因植物的想象的未来;以及经过工程改造的细菌,用于制造可生物降解的塑料和经基因改造的细菌,这些细菌经摄入后即可诊断出疾病。

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    《FX》 |2019年第9期|15-15|共1页
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