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RECORD HIGH

机译:记录高

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摘要

Two broad types of tribute albums exist: single artist or various artists. The former sees one artist paying homage to another by covering a selection of songs (full album or assortment of songs). The latter assembles a group of artists who presumably share an affinity for the original artist. Whatever Nevermind is the latter with a slate of metal artists who followed Nirvana temporally if not also aesthetically. While most of these artists skew toward harder-edge metal than Nirvana did, they all certainly all share Nirvana's love and value of a good melody, albeit often buried beneath the fuzz and wail of sound. Standout tracks include Kylesa covering Come As You Are, and Nothing's version of Something In the Way. Both songs stretch originals well under four minutes to more than five by slowing them down and offering more breathing room than the originals. Circa Survive's Drain You sounds an awful lot like the original, which I think would be a lot of fun live, but adds little to the cannon when recorded. Several tracks, like my personal favorite, Lounge Act by Touche Amor build on the original by showing the broadest palette - from a tender ballad opening to unleashing the same fury Nirvana channeled. Two bonus tracks by sludge metal artists, Thou, could have been left off, which would have both raised the average score and lowered the standard deviation. Overall the Record Store Day release holds up as a fun listen, but is unlikely to supplant the original.
机译:存在两种类型的致敬专辑:单个艺术家或各种艺术家。前者看到一位艺术家通过覆盖精选的歌曲(完整专辑或各种歌曲)向另一位歌手致敬。后者聚集了一群可能与原始艺术家有相似之处的艺术家。没关系,后者是由一群金属艺术家组成的,他们在美学上也不是暂时地跟随着涅rv。尽管这些艺术家中的大多数人都比Nirvana偏向更硬的金属,但他们当然都共享Nirvana的爱和良好旋律的价值,尽管它们常常被掩盖在声音的模糊和哀鸣中。杰出的曲目包括Kylesa的《 Come As You Are》和Nothing的《 Something in Way》版本。这两首歌曲通过放慢速度并提供比原始音乐更多的呼吸空间,将原始音乐在不到4分钟的时间内延伸到超过5分钟。大约幸存者的流失听起来很像原始音乐,我想现场生活会很有趣,但是录制时却对加农炮没有多大作用。几首曲目,例如我个人最喜欢的Touche Amor的Lounge Act,在原始曲目的基础上展示了最广泛的调色板-从柔和的民谣开口到释放出同样愤怒的涅rv通道。污泥金属艺术家Thou的两条奖励曲目本可以省去,这既可以提高平均得分,又可以降低标准偏差。总体而言,唱片商店日发行虽然很有趣,但不太可能取代原始唱片。

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  • 来源
    《Futures》 |2015年第decaappa期|72-72|共1页
  • 作者

    J Burr Vannatta;

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