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Futures beyond disruptions Methodological reflections on scenario planning

机译:突破破坏的未来对情景规划的方法学思考

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摘要

Be it on the stage, in literature or music, the true meaning of the plays, tales or stories is often revealed in the disruptions in flow. These disruptions serve to capture the interest of the theatregoer, the readers or the audience. They raise doubts, even arouse emotions, positive or negative. Like the playwright, the futurist is also concerned with scenarios because something is happening there. The characters, some old, some new, act out a new story in a new setting. The scenarios appear like so many different plays, each respecting the three unities of classical theatre: the unity of time, place and action. The disruption would take place between two scenarios, thus between two futures, each characterised by a time, a place and an action.
机译:无论是在舞台上,还是在文学或音乐上,戏剧,故事或故事的真实含义通常都在流动中断中得以揭示。这些破坏引起了剧院观众,读者或观众的兴趣。他们会产生怀疑,甚至会引起积极或消极的情绪。像剧作家一样,未来主义者也关心场景,​​因为那里发生了一些事情。这些角色,无论是旧的还是新的,在新的环境中演绎出新的故事。场景看起来像许多不同的戏剧,每个戏剧都尊重古典剧院的三个统一:时间,地点和动作的统一。破坏将发生在两个场景之间,因此发生在两个期货之间,每个期货都以时间,地点和动作为特征。

著录项

  • 来源
    《Futures》 |2011年第1期|p.130-133|共4页
  • 作者单位

    Cnam-Paris, Chaire DSO, Lipsor, Unit of EA 2430, 2 rue Conte, 75003 Paris, France;

    University of Poitiers, Graduate School of Business, Laboratoire Cerege EA 1722, 11 rue Archimede, 79000 Niort, France;

  • 收录信息 美国《科学引文索引》(SCI);
  • 原文格式 PDF
  • 正文语种 eng
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  • 入库时间 2022-08-18 02:50:54

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