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Contemporary Environmental Art in China: Portraying Progress, Politics, and Ecosystems

机译:中国当代环境艺术:描绘进步,政治与生态系统

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Art has long been an important force in environmental movements. In China, environmental art is a fast-growing sector of the art scene. This new area of emphasis is expanding the function of art and aiding in China's environmental movement by challenging both imported Western practices and Maoist era philosophy, thereby opening up new ways of considering the relationship between human progress, political systems, economic practices, and their repercussions on existing ecosystems. I turn to artist Xu Xiaoyan's paintings to explore how the notion of progress can be challenged through art. I use Deleuze and Guattari's theory of deterritorialization and reterritorialization to map how Xu's art offers viewers space to think outside dominant paradigms, creates the potential for changes in human consciousness, considers the environment as a composition of relationships and interactions, and provokes discussion concerning the impact of linear notions of time on human conceptions of nature.
机译:长期以来,艺术一直是环境运动中的重要力量。在中国,环境艺术是艺术领域中发展迅速的行业。这个新的重点领域正在通过挑战西方的西方习俗和毛泽东时代的哲学,来扩展艺术的功能并帮助中国的环境运动,从而开辟了一种新的方式来考虑人类进步,政治制度,经济实践及其影响之间的关系。在现有的生态系统上。我转向艺术家徐小燕的画作,探索如何通过艺术挑战进步的观念。我使用Deleuze和Guattari的去域化和再域化理论来描绘徐的艺术如何为观众提供空间来思考外部主导范式,创造人类意识变化的潜力,将环境视为关系和互动的组成部分并引发关于影响的讨论时间的线性概念对人类自然观的影响。

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