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From urban scar to 'park in the sky': terrain vague, urban design, and the remaking of New York City's High Line Park

机译:从城市伤痕到“空中公园”:模糊的地形,城市设计以及纽约市高线公园的改造

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This paper considers New York City's High Line Park, a linear stretch of green space situated on a discontinued railroad track in Manhattan. Unveiled in 2009, the High Line has become one of the most visited tourist sites in the city, but critics have called attention to its role in the gentrification of its surrounding neighborhoods and ties to extensive real estate development in the region. More specifically, many critics have focused on the project's dramatic redesign of the site's accidental landscape, which was a product of decades of abandonment and spontaneous plant growth. Drawing from contemporary literature that sees urban wastelands as sites of creative possibility, these critics have mourned the contemporary High Line's redesign for its rejection of a space that offered more creative possibility. At the same time, the park's designers themselves have argued that the redesigned park preserves the site's transgressive spirit through purposeful design elements. In this paper, I analyze these conversations and consider how differing ideas about design and accidental urban nature are being engaged with by critics of the park. I celebrate criticisms of the park's role in gentrification, but caution against the idea that abandoned urban spaces offer an implicit critique to neoliberal urban governance.
机译:本文考虑的是纽约市的高线公园,这是一条直线形的绿色空间,位于曼哈顿不连续的铁轨上。高线公园(High Line)于2009年揭幕,已成为该市访问量最大的旅游景点之一,但批评人士呼吁人们注意高线公园在其周边社区高档化中的作用以及与该地区广泛房地产开发的关系。更具体地说,许多批评家将注意力集中在该项目对场地意外景观的戏剧性重新设计上,这是几十年来废弃和植物自发生长的产物。这些评论家从当代文学作品中汲取灵感,这些文学作品将城市荒地视为具有创造力的场所,他们哀悼当代高线公园的重新设计,因为它拒绝提供更多创造力的空间。同时,公园的设计师们自己辩称,经过重新设计的公园通过有目的的设计元素保留了场地的侵略精神。在本文中,我将对这些对话进行分析,并考虑公园的批评者如何运用关于设计和偶然的城市自然的不同观念。我赞扬对公园在高级化中的作用的批评,但是要警惕不要认为废弃的城市空间会给新自由主义的城市治理带来隐含的批评。

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