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Resistance identities and language choice in Instagram among Hispanic urban artists in Da DMV: Big Data and a mixed-method

机译:Da DMV:大数据和混合方法中西班牙裔城市艺术家在Instagram中的抵抗身份和语言选择

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The aim of this article is to shed light on the particularities of language choice (Spanish, English, and hybridity) and identity performance among urban music (UM) affiliated individuals from Hispanic immigrant backgrounds interacting through Instagram. The participants reside in Da DMV, an emic term used to refer to the Washington DC (DC) metropolitan area. The study focuses on the ways in which these Hispanic artists use linguistic and stylistic resources within a heteroglossic framework to perform resistance identities while highlighting the differences and similarities between first and second-generation immigrant participants. The speakers’ linguistic and textual displays in Instagram are geared by and express translocal affective and sociocultural alignments and affinities while resisting hegemonic ideologies of racial categorization and stigmatization of Latinxs in the US. Theoretically and methodologically the study draws on sociolinguistics, language ideologies, critical race theory, and discourse analysis. Special attention is given to aspects of translocality and Hip-Hop Nation Language (HHNL, Alim, 2009), agency, and the ways in which they themselves make sense of and account for their actions through linguistic awareness. Within a mixed-methodology framework, this study criticizes the use of Computer Assisted Qualitative Data Analysis Software (CAQDAS) and highlights the analytical usefulness of triangulation.
机译:本文旨在阐明在通过Instagram进行互动的西班牙裔移民背景下,城市音乐(UM)关联个人之间的语言选择(西班牙语,英语和混合性)和身份表现的特殊性。参加者居住在Da DMV,这是一个通用术语,用于表示华盛顿特区(DC)大都市地区。这项研究的重点是这些西班牙裔艺术家在杂种词汇框架内使用语言和文体资源来表现抵抗力的方式,同时强调了第一代和第二代移民参与者之间的差异和相似之处。发言人在Instagram上的语言和文字显示是针对并表达跨地区情感和社会文化的契合和亲和力的,同时抵制了美国种族歧视和对拉丁裔的污名化的霸权意识形态。从理论上和方法上,该研究借鉴了社会语言学,语言意识形态,批判种族理论和话语分析。特别注意跨地方性和嘻哈民族语言(HHNL,Alim,2009年),代理机构以及通过语言意识他们自己理解和解释其行为的方式。在混合方法框架内,这项研究批评了计算机辅助定性数据分析软件(CAQDAS)的使用,并强调了三角剖分的分析用途。

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