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Watching the detectives

机译:看侦探

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CRIME RATES are low in America by historical standards, but television viewers could be forgiven for thinking otherwise. Of the 34 dramas that aired at prime time on the four big broadcast networks last autumn, 21 revolved around crime. On CBS the figure was 11 out of 14. Cops and robbers are essential and everywhere in the small screen's alternative reality. And on reality television. For 31 years viewers tuned in to "Cops" to see officers busting drug-dealers, reckless drivers and prostitutes. But no longer. Before its new season began, Paramount Network and its owner, ViacomCBS, axed the show amid spiralling protests over police brutality. The conceit of "Cops" was simple: follow officers and film their encounters. But critics said it got access in exchange for favourable coverage of police. Many of those arrested may have been too high or confused to consent to appearing. The show exaggerated the role of drugs, which accounted for 35% of arrests, three times the true rate. Compared with real-life arrest data, black and Latino men were over-represented.
机译:犯罪率在美国的历史标准较低,但电视观众可能被原谅别人思考。在去年秋天的四大广播网络上播出的34个戏剧中,21岁左右播出了犯罪。在CBS上,这个数字为14人中11人,COPS和劫匪是小屏幕的必要条件,无处不在的替代现实。在现实电视上。 31年的观众调整了“警察”,看看官员破坏毒贩,鲁莽的司机和妓女。但不再。在其新赛季开始前,派拉蒙网络及其所有者,AviCcbs,在螺旋抗议上展示了警察野蛮的表演。 “警察”的思想很简单:跟随官兵他们的遭遇。但批评者表示,它得到了换取警察的有利范围。其中许多被捕的人可能已经过高或困惑于同意出现。该表演夸大了毒品的作用,占逮捕的35%,这是真正率的三倍。与现实生活逮捕数据相比,黑人和拉丁裔男子被过度代表。

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    《The economist》 |2020年第9200期|65-66|共2页
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  • 入库时间 2022-08-18 22:14:10

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