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YOUNG DESIGN REPORT

机译:青年设计报告

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Like herds in search of pastures, they move from one design showcase to the next, bringing their projects and hopes with them. They were seen at the SaloneSatellite or at galleries in Milan; they can be found in London, Cologne, Paris and every place that hosts trade shows or events for their profession. They are youngsters beginning their career, students anticipating their line of work, and designers being entrepreneurs of themselves, which is sometimes the only way to realise their dreams. All of them are eager and determined to make a name for themselves, to find someone who can offer them a production opportunity, to become successful. Projects by emerging talents are often the result of designs for competitions. Sometimes they are full of references to well-known products (Droog in particular seems to be a great source of inspiration). But occasionally their content or concept is new, justifying the attention lavished on them. This article is mainly dedicated to entries in the [d3] Design Talents competition organised by IMM Cologne 2009. The Dutch are heralded as masters: first prize was given to a chair that bends in all directions, designed by a former student of the Eindhoven Academy, the same school thattrained the winner of the second prize. Both their projects were shown in Milan at Spazio Orlandi during the 2008 Furniture Fair. Chairs are still going strong in design fascination, joined by lamps, seen in many(not always original) variants. But of course, many of us have learned the trade by copying the work of our masters.
机译:就像寻找牧场的牛群一样,他们从一个设计展示厅转移到另一个设计展示厅,带来了他们的项目和希望。在SaloneSatellite或米兰的画廊中可以看到它们。他们可以在伦敦,科隆,巴黎以及为自己的职业举办贸易展览或活动的每个地方找到。他们是开始职业的年轻人,学生期待着他们的工作,设计师是自己的企业家,有时这是实现梦想的唯一途径。他们所有人都渴望并决心为自己取名,找到可以为他们提供生产机会的人,从而获得成功。新兴人才的项目通常是竞赛设计的结果。有时,它们到处都是对知名产品的引用(尤其是Drog,似乎是灵感的重要来源)。但是,有时它们的内容或概念是新的,足以证明对它们的重视。本文主要针对由IMM Cologne 2009举办的[d3]设计人才竞赛。荷兰人被誉为大师:一等奖是由艾恩德霍芬学院前学生设计的可全方位弯曲的椅子,这是训练二等奖获得者的学校。他们的两个项目都在2008年家具展的米兰Spazio Orlandi展出。在许多(并非总是原始的)变体中都可以看到,椅子在灯具的设计魅力上仍然很强势。但是,当然,我们中的许多人都是通过复制大师作品来学习贸易的。

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  • 来源
    《Domus》 |2009年第3期|89-94|共6页
  • 作者

    MARIA CRISTINA TOMMASINI;

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  • 入库时间 2022-08-18 01:04:09

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