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Working on processes as a priority

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Massimiliano Adami is undoubtedly attracted by plastics, though he doesn't admit it. And yet his debut as a designer was marked by plastic basins, bottles, toys and the skeletons of electrical appliances, which he immersed in a magma of coloured polyurethane to leave their shapes imprinted in the solidified material. That was in 1998, at an exhibition titled "The Phantom of Design", and it was a prequel to his successful Fossili Moderni ("Modern Fossils") project presented at Milan's Salone Satellite in 2005. These shelf units went into production for Meritalia the following year. As further proof of his plastic predilection, Adami recently presented Gommapiuma, a collection of chairs made of soft polyurethane and partly derived from the leftovers of industrially manufactured sofas and upholstery, mixed with "fresh" polyurethane. And at the Salone he will be showing an experimental project on polyethylene.
机译:Massimiliano Adami无疑被塑料所吸引,尽管他不承认。然而,他作为设计师的首次亮相却以塑料盆,瓶子,玩具和电器骨架为标志,他将它们浸入彩色聚氨酯岩浆中,以使其形状印在固化材料上。那是1998年,在一个名为“设计的幻影”的展览上,这是他成功的Fossili Moderni(“现代化石”)项目的前传,该项目于2005年在米兰的Salone Satellite上展出。下一年。为了进一步证明他对塑料的偏爱,阿达米最近展示了Gommapiuma,这是一种由软质聚氨酯制成的椅子系列,部分取材于工业生产的沙发和室内装饰的残余物,还混有“新鲜”聚氨酯。在Salone上,他将展示聚乙烯的实验项目。

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    《Domus》 |2013年第968期|82-83|共2页
  • 作者

    Loredana Mascheroni;

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  • 入库时间 2022-08-18 01:02:51

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