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Many years ago, Douglas Haskell, the then director of the American magazine The Architectural Forum, being asked his opinion on Italian architecture in post-war reconstruction, answered by criticising our designers for not giving due weight to economic difficulties or keeping an eye on expenses. Much time has passed since then, but this particular bad habit continues. In Rome, for Fuksas's so-called Cloud, the new congress hall erected 350 m away from the old one designed by Adalberto Libera 80 years ago, a cost of 200 million euros was estimated during the contracting stage, a figure which was doubled in the final balance. We have had similar problems with foreign designers. The costs of the MAXXI, the new Rome museum of 21~(st)-century art designed by Zaha Hadid Architects tripled compared to estimates, in a measure that the sudden decision to construct earthquake-proof structures hardly justified.
机译:许多年前,当时的美国杂志《建筑论坛》的导演道格拉斯·哈斯克尔(Douglas Haskell)被问及他对战后重建中意大利建筑的看法,并批评我们的设计师没有适当考虑经济困难或关注开支,以作答。 。从那时起已经过去了很多时间,但是这种特殊的坏习惯仍在继续。在罗马,对于福克萨斯所谓的“云”而言,新的会议厅与旧的由阿达贝托·利贝拉(Adalberto Libera)于80年前设计的会议厅相距350米,在签约阶段估计耗资2亿欧元,这一数字在合同制定阶段翻了一番。最终余额。我们与外国设计师有类似的问题。扎哈·哈迪德建筑师事务所(Zaha Hadid Architects)设计的罗马新21世纪艺术博物馆MAXXI的费用与估算值相比增加了三倍,这在某种程度上表明,突然决定建造抗震结构是不合理的。

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    《Domus》 |2017年第9期|44-44|共1页
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  • 入库时间 2022-08-18 01:01:34

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