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Adamo-Faiden

机译:亚当·费登

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Sebastian Adamo and Marcelo Faiden (both Buenos Aires, 1977) graduated at FADU in Buenos Aires, and attended ETSAB in Barcelona while living in Madrid during the vibrant season when Spain had gained a prominent role within the architectural debate. The decision to return to Buenos Aires came with the desire to open their own studio in 2004, in the aftermath of the economic crisis that followed Carlos Menem's presidency. Today, Sebastian and Marcelo live and work in buildings they designed - their office is located in Edificio 11 de Septiembre 3260 (2012) - corroborating the mandate they have given themselves since the beginning of their practice: namely, to commit to the transformation of their city. Consisting of mainly residential interventions, their work encapsulates their multifaceted reflection on the theme of domestic space. Whether isolated (Casa Saenz, 2012-; Casa Macchi, 2016-2018) or within the chaotic urban context of Buenos Aires (Casa Fernandez, 2014-2015; Edificio 33 Orientales 138, 2012), their projects are far from being a minimalist whim. On the contrary, their work conveys a sense of radicalism and pragmatism, where materials are often inexpensive and each time arranged in a defined set of details. Industrial metal mesh and frames make up buffers that seem to be both viewpoints protruding towards the exterior and spaces for individuals or families, such as in Edificio Bonpland 2169 (2016-2018). In these buildings, concrete, a material that embodies Argentina's modernist tradition, can be often found painted white, but the traces of the framework are left visible, so as to acknowledge its history but strip away the sense of nostalgia that it emanates. Their buildings are conceived as spatial infrastructures born out of composition, but designed to accommodate future transformations.
机译:塞巴斯蒂安·阿达莫(Sebastian Adamo)和马塞洛·法登(Marcelo Faiden)(两者都是布宜诺斯艾利斯,1977年)毕业于布宜诺斯艾利斯的FADU,并在充满活力的季节中居住在马德里的巴塞罗那参加了ETSAB,当时西班牙在建筑辩论中发挥了重要作用。回到布宜诺斯艾利斯的决定是出于在卡洛斯·梅内姆(Carlos Menem)担任总统后发生的经济危机之后于2004年开设自己的工作室的愿望。今天,塞巴斯蒂安(Sebastian)和马塞洛(Marcelo)在他们设计的建筑物中生活和工作-他们的办公室位于Edificio 11 de Septiembre 3260(2012)-佐证了他们从实践开始就赋予的使命:即致力于改造他们的建筑。市。他们的工作主要由住宅干预组成,涵盖了他们对家庭空间主题的多方面思考。无论是孤立的(Casa Saenz,2012-; Casa Macchi,2016-2018)还是在布宜诺斯艾利斯的混乱城市​​环境中(Casa Fernandez,2014-2015; Edificio 33 Orientales 138,2012),他们的项目绝非极简主义。相反,他们的工作传达了一种激进主义和实用主义的感觉,在这种情况下,材料通常是廉价的,并且每次都按定义的详细信息排列。工业金属网和框架构成缓冲,似乎既是朝向外部的观点,又是个人或家庭的空间,例如Edificio Bonpland 2169(2016-2018)。在这些建筑物中,经常可以看到白色漆成混凝土,这种材料体现了阿根廷的现代主义传统,但仍留下可见的框架痕迹,以承认其历史,但消除了它散发出的怀旧感。他们的建筑物被认为是空间基础设施,其构图是天生的,但旨在适应未来的变化。

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    《Domus》 |2019年第maraappa期|9-9|共1页
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    Giulia Ricci;

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