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Alvaro Siza 2 - arquitecto

机译:Alvaro Siza 2-建筑师

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Alvaro Siza's studio sits on a gentle slope in a modest neighbourhood of Porto, overlooking the point where the Douro river flows into the Atlantic Ocean. The U-shaped building was designed by Siza himself in 1998 to also host the studios of Fernando Tavora and Eduardo Souto de Moura. Alvaro Joaquim Melo Siza Vieira (1933) was born in Matosinhos, Portugal. He completed his first building in 1954, before graduating from the School of Fine Arts of the University of Porto in 1955. Since then, his approach has challenged scholars trying to read isms into his work, looking at its evident coherency that is nonetheless fleeting, a method that turns out to be both intelligible and elusive. To paraphrase Siza, his projects start with an understanding of the place, a search for the stratified traces of the site through sketching. This hermeneutical approach, as Vittorio Gregotti defines it, shows empathy toward what is found, followed by its eloquent materialisation in the construction process. Siza's work has been praised since the early stages of his career. Casa de Cha da Boa Nova (Leca da Palmeira, 1963) and the Leca swimming pools (1966) are taken as emblems of critical regionalism by the British architecture critic Kenneth Frampton for the relationship they establish with the natural and cultural context. But the Portuguese master's work is more heterogeneous than that, and constantly evolving. See the Bairro da Bouca in Porto (designed in 1970 and completed in 2016); the Faculty of Architecture of Porto (1994); the Portuguese pavilion at the 1998 World Expo in Lisbon; the Serralves Foundation (Porto, 1999); and the Victoria and Albert Museum in London (2012).
机译:阿尔瓦罗·西扎(Alvaro Siza)的工作室位于波尔图(Porto)温和街区的一个缓坡上,俯瞰杜罗河(Douro)流入大西洋的位置。这座U型建筑物由Siza亲自于1998年设计,同时还接待了Fernando Tavora和Eduardo Souto de Moura的工作室。 Alvaro Joaquim Melo Siza Vieira(1933)生于葡萄牙Matosinhos。他于1954年完成了自己的第一座建筑,然后于1955年从波尔图大学的美术学院毕业。从那以后,他的方法向试图将Isms读入他的作品的学者们提出了挑战,因为它的明显连贯性虽然短暂,一种既可理解又难以捉摸的方法。用西扎(Siza)的话来说,他的项目始于对位置的理解,通过素描来寻找场地的分层痕迹。正如维托里奥·格雷戈蒂(Vittorio Gregotti)定义的那样,这种诠释学方法对发现的事物表现出同情,随后在施工过程中雄辩地实现了它。自从他的职业生涯早期以来,Siza的工作就受到赞誉。 Casa de Cha da Boa Nova(Leca da Palmeira,1963年)和Leca游泳池(1966年)被英国建筑评论家肯尼斯·弗兰普顿(Kenneth Frampton)视为批判区域主义的标志,因为它们与自然和文化背景建立了联系。但是葡萄牙大师的作品比这更多样化,并且不断发展。参观波尔图的Bairro da Bouca(于1970年设计并于2016年完成);波尔图建筑学院(1994年); 1998年里斯本世博会葡萄牙馆; Serralves基金会(波尔图,1999年);伦敦的维多利亚和阿尔伯特博物馆(2012)。

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    《Domus》 |2019年第maraappa期|16-16|共1页
  • 作者

    Giulia Ricci;

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