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Marina's Garden: interactive narrative as a drama of responsibility and interruption

机译:滨海花园:互动叙事,担负起责任与干扰

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摘要

Riikka Pelo's interactive installation Marina's Garden is presented in this article as an exam-pie of a practice-based research case focusing on narrative, poetic and dramatic aspects of interactive scriptwriting. Marina's Garden is a multilayered narrative space following an associative poetic structure representing the inner landscape of an emigrant poet, Marina. The garden of memories also challenges the participant viewer to become a subject of dreaming, remembering and responsibility in an intimate relationship with the poet. Emmanuel Levinas's philosophy of dialogue, Sigmund Freud's early psychoanalytic metaphors of mind and Friedrich Hoelderlin's notions of the concept 'caesura' are presented in this short artist's point-of-view as the conceptual tools creating the conditions for the narrative experience.
机译:Riikka Pelo的互动装置“玛丽娜的花园”在本文中作为一个基于实践的研究案例的考试样本进行了介绍,该案例侧重于互动脚本的叙事,诗意和戏剧性方面。滨海花园(Marina's Garden)是一个多层的叙事空间,遵循联想诗意的结构,代表着移民诗人玛丽娜的内部景观。记忆的花园还挑战参与者的观看者,使其成为与诗人亲密关系中的梦想,记忆和责任的对象。这位矮个子艺术家的观点提出了伊曼纽尔·列维纳斯(Emmanuel Levinas)的对话哲学,西格蒙德·弗洛伊德(Sigmund Freud)早期的心理分析隐喻和弗里德里希·霍尔德林(Friedrich Hoelderlin)的“凯撒拉”(caesura)概念,作为为叙事体验创造条件的概念工具。

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