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Delighting and Detesting Engagement: Emotional Politics of Junk News

机译:令人欣喜和厌恶的参与:垃圾新闻的情感政治

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How do audiences make sense of and interact with political junk news on Facebook? How does the platform’s “emotional architecture” intervene in these sense-making, interactive processes? What kinds of mediated publics emerge on and through Facebook as a result? We study these questions through topic modeling 40,500 junk news articles, quantitatively analyzing their engagement metrics, and a qualitative comment analysis. This exploratory research design allows us to move between levels of public discourse, zooming in from cross-outlet talking points to microsociological processes of meaning-making, interaction, and emotional entrainment taking place within the comment boxes themselves. We propose the concepts of delighting and detesting engagement to illustrate how the interplay between audiences, platform architecture, and political junk news generates a bivalent emotional dynamic that routinely divides posts into highly “loved” and highly “angering.” We argue that high-performing (or in everyday parlance, viral) junk news bring otherwise disparate audience members together and orient their dramatic focus toward objects of collective joy, anger, or concern. In this context, the nature of political junk news is performative as they become resources for emotional signaling and the construction of group identity and shared feeling on social media. The emotions that animate junk news audiences typically refer back to a transpiring social relationship between two political sides. This affectively loaded “us” versus “them” dynamic is both enforced by Facebook’s emotional architecture and made use of by junk news publishers.
机译:观众如何在Facebook上与政治垃圾新闻进行互动?平台的“情绪架构”如何干预这些感觉互动过程?结果,介绍了哪些介导的公众,并通过Facebook出现?我们通过主题建模40,500垃圾新闻文章,定量分析他们的参与度量,以及定性评论分析。该探索性研究设计使我们能够在公共话语层面之间移动,从交叉口谈话点放大到意义,互动和情绪夹带的微观学过程。我们提出了令人高兴和讨厌的参与的概念来说明观众,平台架构和政治垃圾新闻之间的相互作用如何产生一致的情感动态,以便经常将帖子分成高度“被爱的”和高度“激怒”。我们争辩说,高性能(或在日常助理,病毒)垃圾新闻将差异偏差,并将他们的戏剧性重点定向朝着集体喜悦,愤怒或关注的对象。在这种情况下,政治垃圾新闻的性质是表演,因为它们成为情感信号传导的资源和社交媒体的分享感受。动画垃圾新闻受众的情绪通常会转向两个政治方面的拖累社会关系。这是由Facebook的情感架构强制执行的,这是一个有情感加载的“我们”动态并由垃圾新闻出版商使用。

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