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Portrait of an Artist as Collaborator: An Interpretative Phenomenological Analysis of an Artist

机译:作为合作者的艺术家的画像:艺术家的解释性现象学分析

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The subjective experience of being an artist was examined using interpretative phenomenological analysis (IPA), focusing on the perspective of the artist but interpreted by me, a psychologist, from my perspective as an artistic collaborator. Building upon a literature that has hitherto focused on clinical, elderly, or vulnerable participants, I interpreted superordinate themes of Process (Constraint, Playfulness, Movement) and Identity (The Ill-Defined Artist, Becoming, Mixing Identities, Choosing an Identity, Calling, Collaboration, and Outsider). These themes are broadly similar to the existing literature, but emphasise identity while de-emphasising self reflection and the need to become an “insider.”.
机译:使用解释性现象学分析(IPA)检查成为艺术家的主观经验,专注于艺术家的角度,而不是我是一位心理学家,从我的角度作为艺术合作者。 建立迄今为止临床,老年人或弱势群体的文学的文学,我解释了流程的上级主题(约束,娱乐,运动)和身份(暗示艺术家,成为,混合身份,选择身份,打电话,打电话,调用 合作和局外人)。 这些主题与现有文献相似,但在解除自我反思的同时强调身份,并且需要成为“内幕”。

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