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Participative cultural productions of the oppressed: The master-servant dialectic through an Indian lens

机译:受压迫的参与文化制作:通过印度镜头的主仆辩证法

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The master-servant and self-substance dialectic in Hegel’s Phenomenology of Spirit presents the self as reflectively negating the particularities of its natural consciousness and transcending towards the social substance in order to inscribe its culturally refined self-conception upon the universal substance. Hegel argues that the reflective and determinate negations of the subordinated self by means of participative cultural production (Bildung ) lead to the overcoming of servitude and subordination. That is, the actions of the supposedly ‘inessential’ servant-selfhood lead to freedom and disallows the ossification of the social substance. This Hegelian insight is employed in this article to understand dominations in contemporary liberal democracies, and the participative cultural productions of the Dalits and their politics of resistance in the Indian subcontinent.
机译:Hegel的母仆和自我实质辩证法在黑精灵精神现象学中,这是反思地剥夺其自然意识的特殊性和对社会物质超越的特殊性,以便在普遍物质上核对其文化精致的自我概念。 黑格尔认为,通过参与文化生产( Bildung)来抵制和确定次级自我的否定,导致克服奴役和从属。 也就是说,据说“非态度”仆人 - 自主的行动导致自由并禁止社会物质的骨化。 本文雇用了这篇文章,以了解当代自由民主国家的主导地位,以及印度次大陆的达利特的参与文化制作及其抵抗力的政治。

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