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Under Surveillance: Genetic Privacy in Margaret Atwood’s MaddAddam Trilogy

机译:在监视下:玛格丽特阿特伍德的疯狂隐私 - 阿特伍德的马德达姆三部曲

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This paper provides the first study of the depiction of genetic privacy in MargaretAtwood’s MaddAddam trilogy, which comprises the novels Oryx and Crake (2003),The Year of the Flood (2009) and MaddAddam (2013). The concept of genetic privacyresponds to the growing volumes of individual genetic data at risk of public exposuretoday and designates a recent informational turn in thinking about the boundaries ofprivate and public spheres. Atwood’s trilogy registers this shift in conceptions ofprivacy from the concealment of information to the control of the use of personal data.In the novels’ pervasive surveillance culture, lacking control over genetic informationlimits individual agency and shows that when privacy is threatened, a fundamentalconcept of modernity is at stake. Besides representing a new development in Atwood’slong-standing concern with the politics of privacy, the trilogy’s exploration of geneticprivacy highlights that the novel continues to be a central and socially relevant site forthe discussion of the private.
机译:本文提供了玛格丽特伍德的Maddaddam Trilogy遗传隐私描述的第一次研究,该研究包括oryx和Crake(2003),洪水年(2009年)和Maddaddam(2013年)。遗传凭证对应于公共曝光危险的群体越来越多的个体遗传数据的概念,并在思考思考普遍的普发和公共领域的界限时。 Atwood的Trilogy在隐瞒信息的概念中注册了这种转变,从隐瞒信息控制使用个人数据。在小说的“普遍监测文化中,缺乏对个人机构的遗传信息信息并表明当隐私受到威胁时,现代性的基本概念危在旦夕。除了代表阿特伍德的宗教信仰的新的发展,除了隐私政治的关注之外,Trilogy对遗传级别的探索突出显示,小说继续成为私人讨论的中央和社会相关的网站。

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