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Discussion on Inspiration Theory in Chinese Classical Aesthetics

机译:论中国古典美学的启发理论探讨

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The Chinese classical aesthetics starts from the simple theory of interaction between the heart and object, and has made smart and rich interpretations on inspiration thinking in art creations, and is full of the dialectical thinking flame of “unity” and “disunity”: both emphasizing unexpected “cherishing by chance” and emphasizing voluminous “knowledge accumulation and treasure storage” in the potential gestation; as for the approach of acquiring inspiration, both highlighting the perceptual “tacit understanding”, and highlighting the soul and object correlated “soul comprehension”; as for the stimulation and trapping of inspiration, both showing appreciation to the digression “reflection” of “ingenious nature, without fabrication”, and highlighting the timely materialization of “chasing and catching in a hurry”.
机译:中国古典美学从内心和物体之间的简单互动理论开始,并对艺术创作中的灵感思想进行了聪明和丰富的解释,充满了“统一”和“异议”的辩证思维火焰:都强调意外的“偶然珍惜”并强调潜在妊娠的大量的“知识积累和宝藏储存”;至于获取灵感的方法,突出显示感知“默契谅解”,并突出灵魂和对象相关“灵魂理解”;至于灵感的刺激和诱惑,对“巧妙性质”的“反射”表示欣赏,并突出了“追捕和追赶追捕”的及时实现。

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    《Advances in Literary Study》 |2017年第4期|共11页
  • 作者

    Ying Chen;

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  • 入库时间 2022-08-18 23:51:46

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