首页> 外文期刊>Procedia - Social and Behavioral Sciences >Reflection of Anatolian Culture in Poster Design
【24h】

Reflection of Anatolian Culture in Poster Design

机译:安纳托利亚文化在海报设计中的体现

获取原文
           

摘要

‘Visual’ in ‘visual culture’ can be defined as “everything that is visual, functional, communicational and/or having aesthetic purpose produced, interpreted or formed by people” (Barnard, 2002; 34). Accordingly poster is not only a tool that transmits a message, information or that introduces or advertises a product but also a visual cultural element. Just like other visual cultural elements, poster as well is in interaction with the society. In this two way interaction while society's culture, political and social perceptions, level of education, aesthetic tastes influence the production process of the poster, the posters too influence and transform the society. Poster artists and designers are producing studies sometimes affected by the society that they are within, and also sometimes intentionally reflecting the culture of the society that they are addressing. In this context in this study, reflections of the Anatolian culture in poster designs will be examined with visual examples.
机译:“视觉文化”中的“视觉”可以定义为“由人产生,解释或形成的一切视觉,功能,交流和/或具有审美目的的东西”(Barnard,2002; 34)。因此,海报不仅是传递消息,信息或介绍或广告产品的工具,而且还是视觉文化元素。就像其他视觉文化元素一样,海报也与社会互动。在这两种方式的互动中,社会的文化,政治和社会观念,教育水平,审美趣味影响着海报的生产过程,海报也影响和改造了社会。海报艺术家和设计师进行的研究有时会受到其所处社会的影响,有时还有意反映出他们所针对的社会文化。在此研究的背景下,将通过视觉示例来考察海报设计中对安纳托利亚文化的反思。

著录项

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号