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How (not) to Discourage Youngsters from Playing the Piano. On Bad and Good Piano Teaching

机译:如何(不)劝阻青少年弹奏钢琴。论钢琴的好坏教学

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Analysis of pedagogical and psychological literature has provided some data about modern form of teaching connected with the recognition of pupils’ subjectivity, with the support of their cognitive self-reliance by teachers, and with attention to develop of pupils’ motivation. Many years ago the outstanding musicians: master-teachers (Varro, Neuhaus, Flesch) called for applying those principles in the professional music education. Building on the observation of 35 piano lessons, each conducted by one of 15 piano teachers from primary professional music schools, the study aims to investigate whether and how the piano teachers apply these rules currently.
机译:对教学和心理学文献的分析提供了一些有关现代教学形式的数据,这些形式与对学生的主观性的认识,教师的认知自力更生的支持以及对学生动机发展的关注有关。许多年前,杰出的音乐家:大师级教师(Varro,Neuhaus,Flesch)呼吁在专业音乐教育中运用这些原则。在对35堂钢琴课的观察的基础上,每堂课由来自初级专业音乐学校的15名钢琴老师中的一位进行,该研究旨在调查当前是否以及如何使用这些规则。

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