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Every Inch O'Th'Island: Cuba, Caliban and Clandestinidad

机译:奥克斯岛的每一英寸:古巴,卡利班和克​​兰斯蒂尼达德

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This article presents the metaphor of the character Caliban seen in Shakespeare's The Tempest that has been used as a manner to compare colonial subjectivities in postcolonial contexts throughout the Caribbean. Analyzing the sociological and economical impact of tourism on Cuba, this paper explores how tourism has given rise to a new subjected "Caliban" in Cuba through the promotion of social and economic disparities. The dispariites inherent between the tourist and the Cuban in the country are seen all throughout the island: the disparity arrives from outside of the island, affects the operations within the island, and even influences the operations "below" the island through the development of the Cuban black-market. Caliban, as this paper proposes, is subjected in "every inch" of the island, yet no longer by colonialists that arrive by ship, but by tourists arriving by plane.
机译:本文介绍了在莎士比亚的《暴风雨》中看到的卡利班人物的隐喻,该人物曾被用来比较整个加勒比地区在后殖民时期的殖民主观性。通过分析旅游业对古巴的社会和经济影响,本文探讨了旅游业如何通过促进社会和经济差异,在古巴引起新的“加里班”统治。在整个岛屿上都可以看到该国游客与古巴人之间固有的差异:差异是从岛屿外部到达的,它影响了岛内的业务,甚至通过岛屿的发展而影响了“岛下”的业务。古巴黑市。正如本文所建议的那样,卡利班在该岛的“每一英寸”处受到袭击,但不再受乘船抵达的殖民主义者的束缚,而是乘飞机抵达的游客。

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