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Portrayal of Women in Male Authored Plays in Nigeria

机译:尼日利亚男性创作剧中女性形象的刻画

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The paper analyzed select male authored plays in Nigeria, foregrounding in the process, how women are portrayed. The methodology adopted is descriptive and in the main deductive arising from the analyses of the play-texts. The plays authored by male dramatists reveal a multi-focal thrust in the portrayal of women. They foreground a bias for and against strong female characterization. In most contemporary male authored texts, women are poorly represented. The overriding focal thrust of male playwrights has always been to foreground the physical, prurient negative nature of women. There are a few male playwrights however who portray women in their plays as talented and capable of achieving great things. These playwrights are termed gynacritics and they include among others, Femi Osofisan, Olu Obafemi, Iyorwuese Hagher and Bode Sowande. Women’s portrayal as sex objects and mostly as docile mothers and wives forecloses their other capabilities. There should therefore be a fundamental change in gender relations so as to recognize the role of women as complementary partners in the process of development.
机译:该论文分析了尼日利亚精选的男作家作品,在这一过程中着重介绍了女性形象。所采用的方法是描述性的,并且在主要演绎中源于对游戏文本的分析。男性戏剧家创作的戏剧揭示了女性刻画的多重焦点。他们认为偏向于和反对强大的女性特征。在大多数当代男性著作中,女性代表很少。男性剧作家的压倒一切的重点一直是突出女性身体上的,多汁的消极本质。有一些男剧作家将女性描绘为才华横溢,有成就的能力。这些编剧被称为回教徒,其中包括费米·奥索菲桑,奥卢·欧巴菲米,伊约尔维斯·黑格和博德·索万德。妇女被描绘成性对象,并且大多被当作温顺的母亲和妻子,这丧失了她们的其他能力。因此,性别关系应发生根本变化,以承认妇女在发展过程中作为补充伙伴的作用。

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