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(Re)Constructing the Knights of Science: Parasitologists and their Literary Imaginations

机译:(重新)构建科学骑士:寄生虫学家及其文学想象力

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The accolade "Knight of Science" reflects tellingly on the author, fellow parasitologist Ronald Ross, 2 and gestures more broadly to the romanticised construction of scientific expeditions. The implication here is that Dutton, who helped elucidate the aetiology of relapsing fever and discovered one of the causative agents of African Sleeping Sickness (Trypanosoma Gambiense), fought on behalf of science, risking his own life to propagate and advance tropical medicine as a discipline. The further appellation "Galahad" posits Dutton as Sir Galahad and scientific discovery as the holy grail of Arthurian legend. Colonial administrator Sir William MacGregor similarly lionises the profession in an address given at the London School of Hygiene and Tropical Medicine in 1900, "you will in all probability be able to establish the existence of maladies at present unknown and unrecognised [. . .] can any man desire greater glory." he asks (978). The "glory" associated with scientific research, particularly research in the colonies, is a concept propagated by its association with the broadening of frontiers (both figurative and literal), but, for parasitologist Ronald Ross, an unfulfilled ideal that he struggles with his entire career. How far is this "glory" a true reflection on scientific pursuits or a constructed cultural image. In his Memoirs (1923) Ross recalls that "a witty friend of [his] once remarked that the world thinks of the man of science as one who pulls out his watch and exclaims: 'Ha! half an hour to spare before dinner: I will just step down to my laboratory and make a discovery!'" (v-vi). This unrealistic image of success is precisely the reason he proposes for writing his Memoirs, which, the subtitle boasts, include a "full account of the great malaria problem and its solution." However, regarding the public's delusions surrounding the "man of science" he goes on to say, "who, but men of science themselves are to blame for such a misconception" (vi). He criticises the history of discovery as a "record of results" that eschew "that sacred passion for discovery that leads to them" (vi). However it is just this "sacred passion" that is constructed in the many discourses related to parasitology and tropical medicine at the turn of the century. In Membranes Laura Otis examines the interdisciplinary discourses surrounding the changing concept of selfhood in the nineteenth century, noting a confluence between "political and biological thinking" (4). Following the development of microbiology, scientists, she argues, "assumed the heroic role of soldiers, the creators and defenders of empire" (28). The adoption of this heroic persona by parasitologists in the use of Arthurian archetypes and metaphors, as well as those of Ancient Greek and Roman mythology, served to romanticise parasitology by grounding it in literary history. The anxieties surrounding selfhood that Otis examines are pertinent to parasitological research, which necessitates discussions of self and other as host and parasite. The status of parasitologists as "creators and defenders of empire" is particularly fitting given their direct and indirect involvement in imperial expansion. The parasite as both "other" and somatic invader threatens the integrity of British selfhood. Stephen Arata recognises the fear that the "civilised" world might be colonised by "primitive" forces, which he identifies in late-nineteenth century popular fiction, as symptomatic of a widespread anxiety concerning the moral, social and imperial decline of Britain as a global power (622). This notion of reverse-colonisation, of "imperial practices mirrored back in monstrous forms" (Arata 623) articulates a fear that the Western world will fall victim to the dangers of the colonial environment – that Western sanitary science will prove ineffective against tropical disease. The dual fears of national and personal usurpation implicate ideas about national identity in the construction of "self"; parasitologists, who sought to alleviate the infiltration of British (and colonial) bodies, and in doing so strengthen Britain's position as a global power, recognised the significance of this relationship. The infusion of parasitology discourse with British myths about nationhood enabled parasitologists to create public selves that garnered cultural authority.
机译:赞誉“科学骑士”充分体现了作者寄生虫学家罗纳德·罗斯(Ronald Ross)[2],更广泛地表达了对科学考察浪漫化的构想。这里的含义是达顿(Dutton)代表科学进行了斗争,他帮助阐明了复发性发热的病因并发现了非洲睡眠病(Trypanosoma Gambiense)的病因之一,冒着生命危险传播和发展热带医学作为一门学科。 。进一步的称谓“加拉哈德”将杜顿定为加拉哈德爵士,并将科学发现定为亚瑟王传奇的圣杯。殖民地行政官威廉·麦格雷戈爵士(Sir William MacGregor)在1900年伦敦卫生与热带医学学院发表的讲话中同样将这一职业l之以鼻,“您很有可能能够确定目前未知和无法识别的疾病的存在。任何人都渴望更大的荣耀。”他问(978)。与科学研究特别是在殖民地研究相关的“荣耀”是一个概念,它与边界拓宽(象征性的和字面的)相关联而传播,但是对寄生虫学家罗纳德·罗斯来说,这是一个无法实现的理想,他与自己的整个领域苦苦挣扎事业。这种“荣耀”在多大程度上真正反映了科学追求或已建构的文化形象。罗斯在回忆录(1923年)中回忆道:“ [他的一个机智的朋友曾经说过,世界认为科学人是拉着手表的人,然后大声喊叫:'哈!晚餐前有半个小时的空闲时间:我会下到我的实验室进行发现!”“(v-vi)。这种不切实际的成功印象恰恰是他提出写自己的回忆录的原因,该回忆录的副标题包括“完整地描述了巨大的疟疾问题及其解决方案”。然而,关于公众对“科学人”的妄想,他继续说:“谁应该为这样的误解而指责科学人自己”(六)。他批评发现的历史是“成果的记录”,而这种结果避免了“导致发现的神圣的发现热情”(六)。然而,正是这种“神圣的激情”在世纪之交的许多与寄生虫学和热带医学有关的论述中得以建构。劳拉·奥蒂斯(Laura Otis)在《膜》中考察了围绕19世纪不断变化的自我概念的跨学科话语,并指出了“政治思想与生物学思想”之间的融合(4)。她认为,随着微生物学的发展,“假设士兵,帝国的创造者和捍卫者的英勇作用”(28)。寄生虫学家采用亚瑟王的原型和隐喻,以及古希腊和罗马神话中的英雄角色,采用了这种英雄般的角色,通过将其根植于文学史上来使它成为浪漫主义。奥的斯所考察的围绕自我的焦虑与寄生虫学研究有关,这需要讨论自我和其他宿主和寄生虫。鉴于寄生虫学家直接和间接地参与帝国扩张,它们作为“帝国的创造者和捍卫者”的地位尤其合适。寄生虫既是“其他”入侵者,又是身体入侵者,威胁到英国人的自以为是。斯蒂芬·阿拉塔(Stephen Arata)意识到担心“文明的”世界可能被“原始”势力殖民的原因,他在19世纪后期的通俗小说中指出,这是对英国作为全球道德,社会和帝国衰落的普遍焦虑症的症状电源(622)。这种反向殖民化的概念是“帝国主义以可怕的形式反映出来”(Arata 623),这表明人们担心西方世界将沦为殖民地环境危险的受害者-西方卫生科学将证明对热带疾病无效。对民族和个人篡夺的双重恐惧将民族身份的观念包含在“自我”的建构中。旨在减轻英国(和殖民地)机构渗透的寄生虫学家认识到这种关系的重要性。他们致力于增强英国作为全球大国的地位。寄生虫学话语与英国关于民族主义的神话相融合,使寄生虫学家得以创造出获得文化权威的公众自我。

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