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Review of Jessica Kuskey’s “Our Mutual Engine: The Economics of Victorian Thermodynamics”

机译:杰西卡·库斯基(Jessica Kuskey)的“我们的共同引擎:维多利亚时代热力学的经济学”评论

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It is becoming an increasingly accepted critical commonplace that in the Dickens world, a steam boat can become "an enormously magnified insect or antediluvian monster" (Martin Chuzzlewit, 1844) as effortlessly as man can acquire "a good deal of train oil in his system" (Bleak House, 1853). This image of instability, of energetic volatility, encapsulates the "thermo-dynamism" which Jessica Kuskey's article, "Our Mutual Engine," seeks to unleash. Throughout the central Victorian period, discussions of industrialisation constructed the workplace as an imagined space of porous boundaries, wherein the expending of energy and subjectivity migrated between workers, machines, and the industrial landscape itself. Kuskey conceptualises this persistent renegotiation of industrial subjectivity alongside a recycling of the 'waste' implicit in the laws of thermodynamics. The Dickensian characters of Our Mutual Friend are constantly alert, Kuskey argues, to the social pressures placed on them "to exert a constant level of purposeful, well-directed energy" (75).
机译:在狄更斯世界中,汽船可以像人类可以毫不费力地获得“大量的火车油”那样轻松地成为“巨大的昆虫或前陆怪物”(Martin Chuzzlewit,1844年),这已成为越来越被人们接受的重要常识。 ”(荒凉楼,1853年)。不稳定和充满活力的这种形象封装了杰西卡·库斯基(Jessica Kuskey)的文章“我们的共同引擎”(Unter Mutual Engine)试图释放的“热力”。在整个维多利亚时期,关于工业化的讨论将工作场所构建为想象的多孔边界空间,其中能量和主观性的消耗在工人,机器和工业景观之间迁移。库斯基将这种对工业主观性的持续重新谈判概念化,同时又对热力学定律中隐含的“废物”进行了循环利用。库斯基认为,“我们的共同朋友”的狄更斯式人物不断地警惕施加在他们身上的社会压力,以“施加恒定水平的有目的的,有针对性的能量”(75)。

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