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Joyce: A Quintessential Artist of 20th Century High Modernism – Richard Ellmann and Denis Donoghue – A Review

机译:乔伊斯(Joyce):20世纪高度现代主义的杰出艺术家–理查德·埃尔曼(Richard Ellmann)和丹尼斯·多诺格(Denis Donoghue)–评论

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摘要

James Joyce, in 1940, when asked to explain what Ulysses was about, he proudly commented - “I have put in so many enigmas and puzzles that it (sic) will keep professors busy for centuries arguing over what I meant, and that’s the only way of ensuring one’s immortality.” Critics and criticisms on Joyce are immense from the beginning to till date. The works of Joyce, like Shakespeare’s, provided great amount of material for the critics to study, investigate, interpret and evaluate their essence. These perceptions of critics, at times, appeared to have outnumbered the actual works by Joyce. These criticisms meticulously assessed the writer both in positive and negative aspects. In this light, for review and analysis, here I have taken two critical works that consider Joyce as a quintessential artist of the 20 th century high modernism.
机译:詹姆斯·乔伊斯(James Joyce)在1940年被要求解释尤利西斯(Ulysses)的含义时,他自豪地评论道:“我输入了太多的谜题和困惑,以至于(原文如此)将使教授们忙于几个世纪来争论我的意思,而这是唯一确保不朽的方式。”从一开始到现在,对乔伊斯的批评和批评都是巨大的。乔伊斯的作品,就像莎士比亚的作品一样,为批评家们研究,研究,解释和评价其本质提供了大量素材。有时,批评家的这些看法似乎超过了乔伊斯的实际作品。这些批评从积极方面和消极方面都对作者进行了细致的评估。有鉴于此,为了进行回顾和分析,在这里,我采取了两项重要的工作,这些工作将乔伊斯视为20世纪高度现代主义的典型艺术家。

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