首页> 外文期刊>H-ermes. Journal of Communication >Immagini femminili e ideologia patriarcale = Female images and patriarchal ideology
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Immagini femminili e ideologia patriarcale = Female images and patriarchal ideology

机译:女性形象与父权思想

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Since the seventies, through the feminist theories, the phenomenon of Gender Studies has been coming up on the solid scientific and multidisciplinary base of Cultural Studies. Gender Studies analyze the features of development and the typical changes of social structures at any level. They are aiming at a possible emancipation of minorities, especially in the era of globalization. It becomes especially evident in the media that there is a new opening towards female topics in narrated stories. And Cinema, due to its eclectic nature and its artistic and social function, presents itself as the best example of analysis of this opening, highlighting the evolution from the initial establishment of patriarchal ideology, towards its gradual break-up and overcoming. Starting from a historical course of Gender theories inside the panorama of film studies it can be noticed that the female role, now released from patriarchal ideology, has changed within construction confirming women’s presence and re-launching new narrative structures as well as a new language and approach
机译:从七十年代开始,通过女权主义理论,性别研究现象已经出现在文化研究扎实的科学和多学科基础上。性别研究从各个层面分析发展的特征和社会结构的典型变化。他们的目标是解放少数群体,尤其是在全球化时代。在媒体中特别明显的是,叙述故事中的女性话题有了新的开放。电影院由于其折衷的性质以及其艺术和社会功能,因此成为分析这种开放性的最好例子,突出了从父权制意识形态的最初确立到逐步分裂和克服的演变。从电影研究全景中的性别理论的历史历程开始,可以注意到,现已从父权制意识形态释放的女性角色在结构上发生了变化,从而确认了女性的存在,并重新启动了新的叙事结构以及新的语言和语言。方法

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