首页> 外文期刊>H-ermes. Journal of Communication >Siete al mondo, non c’è rimedio! Nostalgie e xenalgie più o meno contemporanee = You’re on earth, there’s no cure for that! More or less contemporary nostalgia and xenalgia
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Siete al mondo, non c’è rimedio! Nostalgie e xenalgie più o meno contemporanee = You’re on earth, there’s no cure for that! More or less contemporary nostalgia and xenalgia

机译:您在这个世界上,没有补救措施!或多或少的当代怀旧和xenalgia =您在地球上,这是无法治愈的!或多或少的当代怀旧和xenalgia

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Nostalgia may be considered as a particular mood (Stimmung) or a peculiar form of being (Dasein). Sometimes it can also degenerate into psychopathological disorders as “lived time” and “lived space” chronic alterations. Nostalgia phenomenology is characterized by three conditions: loss (past), desire (future), absence (present). This work aims at investigating them throughout an omnipotence-impotence fluctuating taxonomy. We have two main phenomenological types: 1) negationist-obstinate (subculture: impossible); 2) resigned-depressive (subculture: anaclitic). Each psychological type has an equivalent social culture: 1) thanatophobic screen culture (subculture: Telemaco complex and migrations society); 2) impossible xenalgic-nostalgic (subculture: war orphans’ silent nostalgia society). Finally, we have a third category named resilient-nostalgic dealing with Art as absence transformation device. Nostalgia becomes a shared condition for all human beings, a “presentification” process about an eternal past
机译:怀旧可能被认为是一种特定的情绪(Stimmung)或一种特殊的存在形式(Dasein)。有时,它也可以退化为精神病性疾病,例如“生存时间”和“生存空间”的慢性改变。怀旧现象学的特征在于三个条件:丧失(过去),欲望(未来),缺席(现在)。这项工作的目的是在全能-无能波动的分类法中对它们进行调查。我们有两种主要的现象学类型:1)否定主义者-固执(亚文化:不可能); 2)情绪低落的(亚文化:厌气候)。每种心理类型都有同等的社会文化:1)仇视性屏幕文化(亚文化:Telemaco复合体和移民社会); 2)不可能的怀旧-怀旧(亚文化:战争遗孤的沉默的怀旧社会)。最后,我们有第三类名为“回弹式怀旧”,将艺术作为缺席转换装置。怀旧成为全人类的共同条件,是关于永恒过去的“表现”过程

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